Producing Film and Television
| Code | School | Level | Credits | Semesters |
| MLAC1026 | Media, Languages and Cultures | 1 | 20 | Spring Malaysia |
- Code
- MLAC1026
- School
- Media, Languages and Cultures
- Level
- 1
- Credits
- 20
- Semesters
- Spring Malaysia
Summary
This module is designed to engage students with a series of perspectives on certain aspects of the narrative histories of film and television, from their origins to the present day. This is a period of well over a hundred years which saw a series of significant transitional moments in production histories. The module will look at such moments as the coming of sound, the rise and demise of the Hollywood studio system, and the emergence of the network system. It will ask what transition means at different historical moments by raising a number of questions such as: What are the industries producing at these moments and why? How are the industries doing this? How are the cultural products marketed and distributed? The module is also designed to introduce historical method and the idea of historiography. To this end, the course will provide examples of different critical approaches to film and television history and interrogate some of the key debates around the periodization of that history. In each case, specific case examples and materials will be used to examine the various kinds of evidence used by film and television historians and the particular forms of knowledge these produce.
Target Students
Core/required modules for Year 1 BA ICS Film & TV Studies. This module has been particularly identified as suitable for first-year students including those from other schools and faculties.
Co-requisites
Modules you must take in the same academic year, or have taken in a previous year, to enrol in this module:
Classes
- One 2-hour seminar each week for 11 weeks
- One 3-hour screening each week for 11 weeks
- One 1-hour lecture each week for 11 weeks
Assessment
- 30% Coursework 1: 1,500 words essay
- 30% Assignment: Presentation plus 500 word commentary
- 40% Coursework 2: 2,000 Words Essay
Educational Aims
By the end of the module, students should be able to identify and critically analyse key developments in film/television production in historical terms; understand and develop a chronological awareness of the series of significant transitional moments in production histories; and gain skills to research production histories, including working with primary and secondary materials and evaluating different forms of evidence.Learning Outcomes
A Knowledge and Understanding of:
Conveners
- Dag Sigurd Yngvesson